Myth and Moor and More!
vivid shades of autumn
“Abstract painting with a central area of soft white surrounded by burnt orange, rust red, teal, and blue, with thin wispy lines adding movement and evoking the colours and energy of autumn on the moor.”

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oil on a wooden panel 40x40cm..
Vivid Shades of Autumn captures the moor in its moment of fire—when the land blazes with rust, ochre, and ember before the hush of winter. A soft, creamy light opens the canvas like sky breaking through cloud, while the lower terrain surges with layered reds, burnt orange, and flickers of teal. Wisps of black and blue thread through the composition, like wind tracing across bracken or the memory of movement in still air. This is Dartmoor in transition: not a season, but a sensation—fleeting, radiant, and quietly charged with change.

I use oil pastels, oil sticks, markers, scrapers, charcoal, pigment sticks, newspaper, and graphite to make marks,s whichever fits the moment
UV protected, signed on the back. The work is on a plywood panel and is ready to hang. No further framing is needed

Ref: 20/15

“Abstract painting with a central area of soft white surrounded by burnt orange, rust red, teal, and blue, with thin wispy lines adding movement and evoking the colours and energy of autumn on the moor.”

oil on a wooden panel 40x40cm..
Vivid Shades of Autumn captures the moor in its moment of fire—when the land blazes with rust, ochre, and ember before the hush of winter. A soft, creamy light opens the canvas like sky breaking through cloud, while the lower terrain surges with layered reds, burnt orange, and flickers of teal. Wisps of black and blue thread through the composition, like wind tracing across bracken or the memory of movement in still air. This is Dartmoor in transition: not a season, but a sensation—fleeting, radiant, and quietly charged with change.

I use oil pastels, oil sticks, markers, scrapers, charcoal, pigment sticks, newspaper, and graphite to make marks,s whichever fits the moment
UV protected, signed on the back. The work is on a plywood panel and is ready to hang. No further framing is needed

Ref: 20/15