entering the zone,
entering the zone by ashar

oil on a wooden panel 100x70cm
Entering the Zone. A surge of tangled intention, suspended in motion. Dark filaments—brown, black, orange—radiate from a dense core, reaching outward like roots, nerves, or electric pathways. Hints of yellow and green flicker through the weave, suggesting vitality beneath complexity. The pale blue-to-white gradient behind it offers breath and space, a quiet counterpoint to the central intensity. This is a moment of crossing—into focus, into flow—where chaos sharpens into clarity.
NB: free shipping in the UK mainland

I use oil pastels, oil sticks, markers, scrapers, charcoal, pigment sticks, newspaper, and graphite to make marks,s whichever fits the moment.
UV protected, signed on the back. The work is on a plywood panel and is ready to hang. No further framing is needed.
This piece is after Fiona Campbell, see the gallery headline

Ref: 24/10

entering the zone by ashar

oil on a wooden panel 100x70cm
Entering the Zone. A surge of tangled intention, suspended in motion. Dark filaments—brown, black, orange—radiate from a dense core, reaching outward like roots, nerves, or electric pathways. Hints of yellow and green flicker through the weave, suggesting vitality beneath complexity. The pale blue-to-white gradient behind it offers breath and space, a quiet counterpoint to the central intensity. This is a moment of crossing—into focus, into flow—where chaos sharpens into clarity.
NB: free shipping in the UK mainland

I use oil pastels, oil sticks, markers, scrapers, charcoal, pigment sticks, newspaper, and graphite to make marks,s whichever fits the moment.
UV protected, signed on the back. The work is on a plywood panel and is ready to hang. No further framing is needed.
This piece is after Fiona Campbell, see the gallery headline

Ref: 24/10